Wednesday, August 19, 2009

Heart is Everything

Where are all the people who aren't afraid to be sincere? We're socialized into it early enough, on schoolyards and in sports locker rooms - mask your sincerity behind thick walls of irony and sarcasm. It's much easier deal with the put-downs that follow when you declare that, yes, I really do like Band X, with a sly wink and a "just kidding" than to bear the full brunt of these assaults on your taste and character with honesty. If there is one thing nobody wants to be thought of as being, its boring (or a leper, I suppose, but that's neither here nor there). Of course, the ultimate irony is that over-reliance on the handy crutch of irony itself is possibly the most boring form of self-expression there is!

Your sincerity is not boring! Your honesty is not banal! Let them dismiss you lazily as a bleeding heart, let them chastise your tastes for being threatening. If it helps, maybe try the strategy I've been using: don't be scared to return their scornful gaze with a mirror to show them how fucking stupid they look. Is it stupid to listen to music with screaming in it, or is it stupid to ignore the screams of the most desperate social strata? Is it it silly to refuse to own a car, or is it silly to be party to the construction of cities that are undeniably vulnerable to energy shortages? Can your philosophical underpinnings be any more questionable than those of an socioeconomic world order that coopts dissidence and protest as quickly as they are produced and transforms them into shallow ephemeralities?

I, for one, am ready to be judged on my readings of my environment, for my expressions and for actions. Activism is the only honest response I can fathom to the inequities that assail the integrity of our social networks and environmental life-support systems from all concievable angles. I'm talking about an activism that eschews irony and stabs at the heart of uncomfortable and difficult issues. I'm talking about sincerity, I'm talking about direct, honest dialogue. If you care enough about my expressions to be reading this, surely you care enough to participate. If you contact me at tom.howard@urbancsa.org I promise I will do everything I can to coordinate your own activism.


Refuge: Converge - No Heroes, Burnt By the Sun - Heart of Darkness, David Foster Wallace - E Unibas Pluram: Television and U.S. Fiction, Robert Kirkman - Walking Dead vol. 10, Mare - S/T, Jesu - Lifeline, Robert Putnam - Bowling Alone: The Collapse and Revival of American Community

Saturday, August 8, 2009

Staying Naive

OK, so anyone who knows me is pretty aware that sometimes its difficult for me to live in Calgary - I find the arts sluggish, the politics insane/suicidal, the popular (and "indie") culture self-involved and superficial, and the city itself to be a monstrous, sprawling behemoth that is propelling us towards an unhappy future indeed. Judging from the first sentence of this post, you may have sensed a massive "but" coming. If so, good for you! You are correct. In spite of these shortcomings, summer in Calgary has a special appeal to me. Staying out late without a coat, reading in the city's handful of reasonably well-appointed parks (Riley Park, looking in your direction), people-watching by the river, driving a car down busy downtown streets with the windows down and Agoraphobic Nosebleed cranked to 11 - yeah, it's the simple things, isn't it?

I've experienced some truly wondrous things in some truly wondrous places over the last few months, not the least of which involved early-20th century expressionist galleries, copious volumes of dunkel, making new friends, making new friends over copious volumes of dunkel, riding bikes, hallmarks of modernist and postmodernist architecture in direct proximity to one another, picnics on the steps of the worlds most prestigious art galleries and narrow, winding streets that twist in an organic, mystical logic/illogic. The depth and scope of these experiences defies my ability to relate them here, and they were all fine and well, but there are things about Calgary too that entrance me. I am sad that it will probably be a decade or more before I can eat meatballs in Sweden again, but there is something to be said about staying up late and gorging myself on Canadian beer while watching The Big Lebowski with best friends. I mean, the Swedish meatballs were reeeallly good, but there is a certain amount of timelessness and transcendance attached to the things I can do here with the people I care about the most, and I think that if I dig deep enough under all the ennui this city has to offer I can find most of the things that are good and right and "fuck yeah" about the world.

I'm headed out of some truly inspiring places and I'm launching myself back into all the placelessness that Calgary has to offer, hoping to land softly in soft coccoons of forlonity, earnestness and all-out sincerity. Hopefully I'll be able to abscond from responsibility for a little while longer and savour the fleeting gratification of being young for a little while longer.




Substance - The Big Lebowski, Aura Noir - Black Thrash Attack, Amesoeurs - Amesoeurs, Peste Noir - Ballad cuntre lo Anemi francor, Japandroids - Post-Nothing, Thomas Pynchon - Vineland, Cobalt - Gin, Liars - Liars

Friday, May 22, 2009

Sunday, May 17, 2009

Stairwells


My, my. Busy, busy, busy. I have the privilege of leaving in five days, but (as per usual) I've made little to no plans. I've also (as per usual) squandered the time I have to get a large amount of schoolwork done. The 80-20 rule (do 80% of the work in 20% of the time) is (as per usual) a real bitch.

I feel like the monolith from 2001 is sitting on my chest right now. I know that I'll get done the things that need getting done, but the anxiety is starting to disrupt my sleep cycles. I've been waking up a lot at night and I've started drinking more coffee again. Even though it's warm outside, the library of the University feels as cold as ever. What is with this place? Why do they keep it at the same temperature as a fucking mortuary, year round? I think its uncomfortable atmosphere mirrors my discomfort with the University/city in general. It'll be good to get out again.


I'll be keeping updates to a minimum while I'm gone. Sorry, but if you want to know what I've experienced abroad you'll have to call me up and hear it from me in person. I'm also deleting my fucking Twitter. What a stupid idea. I'm not really sure I can compress the complex spectrum of emotions I feel or the context of my varied life-happenings into 160 words or less anymore.

"I'm eating bacons and eggs rite now, soooo good"

"Getting arrested, LOL!"

"Come to my house for ultra-beer-bong goat debauchery"

I would rather just focus on the bacon and eggs, arrest experience and ultra-beer-bong goat debauchery than focus on what clever ways I'm going to write about them. And really, if I want to share an experience with you I will probably pay you the minimal courtesy of contacting you directly. Sure, I feel the need to document some shards of existence, but not to circumscribe or truncate it. And on that note...


"... because in life, very little goes right. Right meaning the way one expected and the way one wanted. One has no right to want or expect anything." -Paul Bowles

Supplements for May anxieties - 2001: A Space Odyssey (in case you haven't noticed), 8 1/2, Trap Them - Seizures in Barren Praise, Cursed - Two and III: Architects of Troubled Sleep, Man or Astroman? - A Spectrum of Infinite Scale and the 2000 Frescobaldi Brunello I drank with my family on Thursday.

Wednesday, April 29, 2009

OOOOH LOOK AT ME I'M SO POSTMODERN! EVEN THIS BLOG TITLE IS IRONIC AND SELF-REFERENTIAL!


1993 or 2009?

I can't stop thinking about how everyone is repping early- to mid-90s fashion hard this summer. I can't count how many kids I've seen frontin' the nearly ubiquitous lumberjack shirt with Nike high-tops combo, sometimes with baseballs caps (half of which have the lids flipped up), John Lennon sunglasses and even dreadlocks. Everywhere I look, I'm seeing weird tones of purple and pink that I haven't seen since I was 11.

The fact that a lot of people are looking like Pearl Jam roadies is no big deal: we all know that fashion moves in cycles, yadda yadda yadda, but the cycles are feeling like they're getting a little closer together. But in the late 90s it seemed like it was more about mid- to late-1970s fashion, with the mid-2000s ushering in a revival of mid-1980s fashion. If we have moved into an era where everyone is dressing like its 1995, then where will we be in two years? Will everyone be dressing like its 2003, when people were starting to dress like it was 1983? This is the part where my brain 'splodes.

It's got me thinking about postmodernism a bit. Yeah, pastiche is fun, and it's liberating in the sense that you don't need to be slavish to meta-narratives whose applicability is pretty questionable. But on the other hand, when it becomes normative I think it's more or less a free pass to be gleefully self-indulgent and superficial. When everything is so aestheticized and the traditional concept of narrative is subverted, then isn't there a chance we are just moving towards this dystopian scenario where the meaning of all cultural symbols get lost, as the aesthetic of the symbols are recycled ad nauseam with no regard for context?

I know it sounds like warmed over Frederic Jameson/Baudrillard, but it's worth thinking about, I think. I mean, I'm not sure how down I am with every song title/band name being a tongue-in-cheek pop-culture reference ("Walk Before You Run DMC". What is that shit?). Then again I play in a band called Baader Meinhof Overdrive. Then again, I don't think Jordan and I pretend that BMO is supposed to be super-meaningful or insightful. Then again, we have a song about how somebody should resurrect Zombie Reagan, so punk rock can have something to mobilize against. I don't know, my brain hurts. The answers aren't easy, but then again maybe they aren't supposed to be. But then again, isn't the idea that things are "supposed to be" a certain way indicative of a meta-narrative or higher order? If my brain was 'sploding before, then my brain just went supernova now.

The ca-razy postmodern (and not so postmodern) things I'm hyped on right now: Lightning Bolt - Wonderful Rainbow, Charles Bronson - Youth Attack!, Spazz - Crush, Kill, Destroy, Stephen Hawking - A Breifer History of Time, 2005 Duckhorn Decoy (perfect mid- to high-range good times steak wine), Planet Earth, Metric - Fantasies (what can I say: this album is shit-hot. It contains no less than five perfect window-down, sing-a-long anthems good for cruising in your white Camaro in 2009 like its 1986. Wait....)

Monday, April 13, 2009

Koyaanisqatsi

What I've been feeling on a day-to-day basis as of late


The next two weeks of my life will be completely insane. I keep saying to myself, "well, this is the life you chose", but somehow that cheery affirmation of my self-possession and stoic self-determination seems a little muted in the face of the veritable tsunami of work I am facing. Ultimately, is what I've learned this semester worth the payoff of sleeping in the library, losing sleep and having the quality of diet last seen in a Charles Dickens novel?

I think I can answer that question with a resounding "fuck yeah!". The cliche "if you think education is expensive, try ignorance" is tired, but completely true. Working for positive change in Calgary has lead me to face up to some rather pushy, ill-educated individuals. This leads me to lead to two conclusions:

  1. There is a positive correlation between ignorance and brashness
  2. There is a negative correlation between taking a well-informed position in an arguement and my desire to punch you in the fucking head
Right now I'm not sure which is the bigger headache: the ignorance of the stubborn ideologues I contend with, or the enormity of the course load I am currently bearing. What I do know, however, is that the semester will be over on the 24th, and the ignorance of some people goes without an expiration date.

A few of the things that are currently keeping my stick on the ice, as they say: Agoraphobic Nosebleed Agorapolocalypse, Metric Fantasies, Yeah Yeah Yeahs It's Blitz, Faust S/T, Non Phixion The Future is Now, William Gibson Virtual Light and a surprisingly large amount of the 80s hightop thrash I grew up on in the early 00s.

Saturday, March 21, 2009

Miss Fortune

It was 13 degrees yesterday.  It's fucking snowing right now.  I was just out barbequeing and I could hear the pained yelps of birds who clearly flew home too early.  Nothing sucks worse than being on the recieving end of an enormously unfunny cosmic joke, I suppose.

I will basically be unavailable for the next month.  This week, especially, is fucking insane.  Jordan and I have a show this coming Thursday - we're going to meet tomorrow and hopefully finish writing our 10 minute set.  At least there will be lots of in-jokes about black metal dudes in wheelchairs, zombie reagan and om nom nom-ing things.



I've taken a weird liking to krautrock lately.  It contributes heavily to the following things that are currently keeping me grounded: Can - Tago Mago, Faust - Faust, Neu! - Neu!, Kraftwerk - Kraftwerk 1, 100 Bullets and the massive host of Italian wines I just came across